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TV/Film Reviews

Film Review: ‘The Starling’ (dir. Theodore Melfi) | TIFF 2021

Grief comes in all of shapes and sizes. I thought The Starling took a very thoughtful approach to tackling such a sensitive topic but in an effectively touching yet humorous way. When it doesn’t take itself too seriously, it’s firing on all cylinders in the best of ways.

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TV/Film Reviews

Film Review: ‘The Electrical Life of Louis Wain’ (dir. Will Sharpe) | TIFF 2021

The quirkiness is dialed up to ten, and it’s all the better for it. That just makes the sadness at the center of it all feel all the more whimsical.

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TV/Film Reviews

Film Review: ‘The Wheel’ (dir. Steve Pink) | TIFF 2021

Relationships are hard. There are challenges that are unique to every pair of two people, especially when there’s something putting that relationship at a strain. The Wheel is at its best when it paints an honest picture through that lens.

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TV/Film Reviews

Film Review: ‘Dionne Warwick: Don’t Make Me Over’ (dir. David Heilbroner + Dave Wooley) | TIFF 2021

Are there any especially revealing or shocking stories in this? Not really, but if you know Dionne Warwick, you know she’s not the kind of star surrounded by controversy in the first place. There are countless great stories in here, though.

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TV/Film Reviews

Film Review: ‘Mothering Sunday’ (dir. Eva Husson) | TIFF 2021

I really enjoyed this approach on the secretive, forbidden romance, but I wish it leaned more into that theme a bit. I wanted there to be more risk or excitement, story-wise, but that’s just not what ‘Mothering Sunday’ is going for.

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TV/Film Reviews

Film Review: ‘Jockey’ (dir. Clint Bentley) | TIFF 2021

Combining the best of both worlds from sports movies and a father-son drama, this is sophisticatedly framed through an indie filmmaker lens. With heartfelt performances all around, it is a story that feels at once both familiar and brand new.

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TV/Film Reviews

Film Review: ‘Petite Maman’ (dir. Céline Sciamma) | TIFF 2021

The innocence of a child and value of friendship is expressed in its truest, most pure form here. The crisp cinematography is immaculate, emphasizing the brilliance of nature, bringing the sunlight inside, and the texture of endless fuzzy sweaters. With spare but impactful dialogue, this reserved story feels relatable.

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TV/Film Reviews

Film Review: ‘Attica’ (dir. Stanley Nelson) | TIFF 2021

A gut-punch in every sense of the phrase, it’s especially sad that a story of such racial issues and brutal from law enforcement is as relevant as it is today.

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TV/Film Reviews

Review: ‘Cinderella’ on Prime Video (dir. Kay Cannon)

Shooting for an over-the-top, inspirational narrative mixed with some fresh stylistic choices, this new take on Cinderella relies heavily on feeling modern and its star-studded cast to deliver a fun yet predictable fairytale.

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TV/Film Reviews

Review: ‘Candyman’ (dir. Nia DaCosta)

Candyman (2021) is a reboot while simultaneously acting as a semi-sequel, however, it never entirely commits to being either one. Having seen the original 1992 film would only enhance your understanding of who the Candyman is, but this 2021 edition also easily stands on its own. There are several glimpses of brilliance, but it never entirely amounts to what it aimed to do.