I’ll be honest, on paper, this sounds like a hard sell. A period piece set in France during the 1300s with kings and knights and lords and ladies and battle sequences and armor… but it works. It legitimately works.
I’ll be honest, on paper, this sounds like a hard sell. A period piece set in France during the 1300s with kings and knights and lords and ladies and battle sequences and armor… but it works. It legitimately works.
This musical is messy and manipulating and makes time for more than a few moments for major melodrama throughout its maze. And that’s why it works.
It’s a simple enough premise, but what is done within the timeframe of this film honestly made for some of the most thrilling, intense, fully consuming work I’ve ever seen.
Grief comes in all of shapes and sizes. I thought The Starling took a very thoughtful approach to tackling such a sensitive topic but in an effectively touching yet humorous way. When it doesn’t take itself too seriously, it’s firing on all cylinders in the best of ways.
Relationships are hard. There are challenges that are unique to every pair of two people, especially when there’s something putting that relationship at a strain. The Wheel is at its best when it paints an honest picture through that lens.
Are there any especially revealing or shocking stories in this? Not really, but if you know Dionne Warwick, you know she’s not the kind of star surrounded by controversy in the first place. There are countless great stories in here, though.
This is going to sound super abstract, but Scarborough is a film about what it means to be human. It’s so real that it’s unreal. Realer than life. There is a whole world within this film. I grew so attached to these characters, and I went on the emotional rollercoaster that these characters took me on.
I really enjoyed this approach on the secretive, forbidden romance, but I wish it leaned more into that theme a bit. I wanted there to be more risk or excitement, story-wise, but that’s just not what ‘Mothering Sunday’ is going for.
Combining the best of both worlds from sports movies and a father-son drama, this is sophisticatedly framed through an indie filmmaker lens. With heartfelt performances all around, it is a story that feels at once both familiar and brand new.
The innocence of a child and value of friendship is expressed in its truest, most pure form here. The crisp cinematography is immaculate, emphasizing the brilliance of nature, bringing the sunlight inside, and the texture of endless fuzzy sweaters. With spare but impactful dialogue, this reserved story feels relatable.